The essay will then examine the central issues raised by illegal file sharing. Its relationship with file sharing is topical and makes an excellent case study to address the impact big business has had on intellectual property and the need for the Pirate Party’s legislative input. There are a number of ‘copyright industries’ that are affected by these issues, none more so than the music industry. In the dawn of the digital era, the Pirate Party advocates that governments and multinational corporations are using intellectual property to: crack down on file sharing which limits the ability to share knowledge and information increase the terms and length of copyright to raise profits and build code into music files which limits their ability to be shared (Pirate Party, 2009). The Pirate Party suggests that they are achieving this goal through the amendment of intellectual property legislation. The music doesn’t hurt.The Pirate Party believes the state and big business are in the process of protecting stale and inefficient models of business for their own monetary benefit by limiting our right to share information.

Which is a longwinded way of saying this is among the few companion films that enriches the album from which it spawned. We do at least hope to point you towards a sort-of-hidden gem: under the OK Computer section resides Grant Gee’s beyond-essential 1998 documentary Meeting People is Easy, in which one will find a touring band pushed to their edges and a frontman at the limit of his sanity–a sort of inception point for the radicalization that was Kid A, though arguably more worthwhile for its nearly ethnographic cataloging of music, fashion, hotel rooms, and cityscapes circa their seminal album, itself a reflection of those very things. Plus traffic easily incurred by mentioning any new Radiohead content in a headline. (On a Friday enthusiasts, meanwhile, wage an insurgent campaign.) Like many a Thom Yorke-penned tune, what first appears clear–links to stream albums and EPs, PDFs of Stanley Donwood booklets, music videos upgraded from sometimes-abhorrent late-00s YouTube uploads–grows denser the longer you poke through, hence a glut of articles trying to lay it all out.

If you’ve bothered to click on this post you’ve no doubt heard of Radiohead’s “ Public Library,” an online depository for nearly everything official in their decades-long catalog.

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